Introducing the Macrodose®, the pinnacle of envelope filters that fuses analog warmth with digital accuracy. This pedal, created in collaboration with Brian Marshall of Subdecay, gives you unrivaled control over your filter effects with its amazing 11 operating modes and 7 LFO shapes. The Macrodose® has you covered whether you want to accurately recreate vintage envelope filter sounds or explore uncharted sonic realms.
Your guitars inherent character will come through by using the blend control to flawlessly mix in the clean signal, introducing transients back into your performance or restoring the low end on bass. You can choose from a variety of LFO shapes, including random, sine, ramp, triangle, saw, and more, using the 11-position shape knob. This adaptability gives you the power to precisely shape your sound and discover a new world of tone.
The Macrodose® offers an EXP input for expression pedal control over several settings in each mode and is intended to be expressive and intuitive.
Rest easy knowing that the Macrodose® is made in the USA with the highest standards, and has genuine bypass switching, and is powered by a normal 9V DC PSU.
Inject a unique sonic character into your music with the Macrodose®, our top-rated envelope filter pedal. Whether you want to create a classic funk vibe or experiment with psychedelic tones, this is the best envelope filter for you. The Macrodose®, which is also an envelope filter guitar pedal, offers an unprecedented level of control, enabling you to craft the perfect wah and auto-wah effects.
With a Macrodose® you can dial in just the right amount of mind-altering filter fun.
Works with many instruments including electric guitar, synthesizers, and bass. The new Blend control eliminates a more limited internal toggle switch, in favor of a versatile external control knob.
It’s an analog filter with digital control, BLEND and VOLUME, and the limitless freedom to explore your mind. Includes auto-wah with selectable waveforms, sample/hold functions, step filter, random sample/hold, and even a pixelated filter function.
1. MOSFET Power Protection, so you can feel safe if you have multiple power supplies, and accidentally plug in the wrong polarity. Compatible up to 18V, however, sounds best at 9V.
2. Active Volume Control: Supplementing the powerful new Blend feature, is Active Volume Control. This allows players to control the overall output level at any setting.
3. Blend Control: Our proprietary clean boost circuitry, giving the ability to pan between dry and wet signal. Now for the first time in the history of this pedal’s lineage, you can control how much of the affected wet signal blends with the unaffected dry signal in your mix.
4. 9 Basic Shapes:
•Analog Envelope [forward & reverse]
•Step [tap tempo step filter based on 7 LFO shapes]
•Trigger LFO [tap to trigger one LFO cycle]
•Manual LFO [manually control LFO speed]
•Warp LFO [tap tempo LFO speed with wave shape warp]
•Pixilated Envelope [sample/hold envelope control]
•Envelope Trigger [envelope triggers LFO]
•Envelope–>LFO manual [envelope drives LFO speed. Fixed sensitivity.]
•Envelope–>LFO [envelope drives LFO speed. Variable sensitivity.]
5. Mode Modifiers: – Numerous modifiers to tweak your shape setting.
6. Expression Input: – Can be used with any non-envelope functions. Depending on the shape and mode settings, the expression pedal will have a different effect.
7. True Bypass Stomp Switch
It’s the forbidden path to expanded consciousness… and a truly fantastic addition to help you create dynamic tone.
For the sound of Jerry Garcia, Frank Zappa, or The Flaming Lips, a Macrodose is sure to deliver.
- All Polyester Film Capacitors -
Input Z (Impedance): 260K (measured, as opposed to theoretical)
Power Requirement: 9VDC/60mA • NO INTERNAL BATTERY.
Power Adapter Not Included. Requires a 9VDC Center Pin Negative (Fully Regulated Power Supply, such as the TrueTone 1 SPOT, or any other Power Adapter that will supply 9VDC and AT LEAST 60mA current.)
If using a “daisy chain” power supply, all other pedals MUST be negative ground.
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